Louis Pratt is a multidisciplinary contemporary artist whose practice spans sculpture, painting, and video. He is best known for his pioneering work in figurative sculpture and his innovative use of emerging technologies.

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Central to Pratt’s practice is the human figure, which he often constructs using 3D scans of real people. These digital scans, drawn from the personal data of individuals, form the raw material of his work. In reconfiguring and manipulating these digital bodies, Pratt raises urgent questions about data ownership, privacy, and identity in the digital age. His work foregrounds how intimately our bodies, and by extension our selves, are now entangled with data systems, surveillance, and commodification.

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Through these figurative forms, Pratt critiques the contemporary condition, engaging with themes such as the erosion of autonomy, the quantification of identity, and the vulnerability of the self in an age of ubiquitous data capture. His sculptures become both representations and distortions, symbols of how our likenesses are fragmented, interpreted, and repurposed by technology.

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Pratt has achieved national and international recognition as a leading Australian contemporary artist, particularly for his trailblazing use of digital tools in the creation of sculpture. His work stands at the intersection of art, technology, and social commentary, offering a powerful meditation on what it means to be human in an increasingly data-driven world.

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